Nick Didkovsky s music reflects current trends and practices including the use of live, interactive computer-assistance, genre jumping, and blurring the distinctions between highbrow and lowbrow. Although the accoutrements of Western tonality are never far off, his musical sensibility allows for some radical departures from the stock-and-trade of tonality. Didkovsky is attracted to the ambiguous boundaries between human-generated and software-generated materials. Ice Cream Time (2003) is a multi-movement piece scored for saxophone quartet, electric guitar, and live electronics. As might be expected, Ice Cream Time embraces, or engages with, a wide range of influences and material contrasts. Nine of the movements feature live sampling by Thomas Dimuzio, whose job was to capture and process the saxophone and guitar sounds in real time, using his Kurzweil K2600RS. Because the unaltered signals are also heard, a rich and subtle texture is produced.Price: $17.99
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